Transient markers show where the transients of a clip are (areas where the level increases suddenly), and are used to edit the timing of audio clips.AudioSnap finds transients automatically, but the transient markers don’t always appear exactly where you might want them for the kind of editing you want to do.Most AudioSnap commands edit transient markers automatically as a result of an editing operation, but sometimes you achieve the best results by editing the markers manually.You can edit the markers by moving them to new locations, adding markers, filtering out markers, deleting markers, and promoting markers (protecting them from being filtered).Figure 200. Transient markers
2. Assign the track’s Edit Filter control to Audio Transients.
2. Assign the track’s Edit Filter control to Audio Transients.
3.
2. Assign the track’s Edit Filter control to Audio Transients.
3. Do one of the following:
2. Assign the track’s Edit Filter control to Audio Transients.
3. Assign the track’s Edit Filter control to Audio Transients.All transient markers near the same position (within a defined time window) in all selected clips are selected.
Note 2: To specify the size of the time window, click the AudioSnap Options button in the AudioSnap palette to open the AudioSnap Options dialog box, then specify the desired Pool Transient Window value.When editing multi-track instruments, you may want to simultaneously adjust a range of transients across multiple tracks. In order to do so, you need to select the tracks and time region you want to edit.
3. Assign the track’s Edit Filter control to Audio Transients.All transient markers near the same position (within a defined time window) in all selected clips are selected.
2. Assign the track’s Edit Filter control to Audio Transients.
Selecting all markers of a certain type makes it easy to perform operations such as resetting only the stretched markers, or promoting only the disabled markers.Figure 202. To stretch a transient, drag the marker lineWhen you drag and drop the line of a marker, the marker moves to the place where you drop it, and the audio that is located between the dragged marker and the following marker stretches.
2. Right-click any selected transient marker and select Reset from the pop-up menu.
Right-click the marker you want to disable and select Disable from the pop-up menu.
Right-click the marker you want to reset and select Delete Marker from the pop-up menu.
2. Assign the track’s Edit Filter control to Audio Transients.
1. Disable the Snap to Grid button (or press the N key) if the place you need the marker is not on a convenient snap location.The marker appears in the selected clip(s) and displays a hollow square to show that it is a manually created marker:
2. Assign the track’s Edit Filter control to Audio Transients.
3. Select the target clip (the clip that you want to copy markers to) and drag the Threshold slider in the AudioSnap palette until all transient markers are disabled.
5. Right-click either of the selected clips and select Merge and Lock Markers from the pop-up menu.It’s sometimes necessary to disable some of the markers so you can extract a clearer groove, or snap or quantize data to only the more important markers. Disabling markers is a way to thin the data so that it creates a clearer time grid to work with. It also avoids stretching any transients that you don’t want to stretch as a result of quantizing audio. Disabled markers are not deleted, but are ignored by all AudioSnap functions. Only the head of a disabled marker remains visible.
The Resolution drop-down list in the AudioSnap palette. The selected Resolution value lets you disable markers based on their time location. This clears out unwanted markers to make editing easier. Larger values create a bigger time window, based on musical time values, which preserves markers that are closest to the displayed musical time value, and disables others.
Note: The Resolution setting will only work reliably if the audio clip’s internal tempo map is accurate. For details, see Editing a clip’s tempo map.
The Threshold slider in the AudioSnap palette. This slider works by disabling markers based on their volume. Dragging the slider to the right creates a larger volume threshold, so that transients that fall below the current volume threshold that the slider defines are disabled.
The transient marker context menu. You can right-click a marker, and choose Disable from the pop-up menu.
Tip: If you want to protect a marker from being disabled by the Sensitivity slider or the Threshold slider, you can right-click the marker and enable the Promote option from the transient marker pop-up menu. You can also promote a disabled marker to ensure that it never becomes enabled by the Sensitivity slider.
Do one of the following:
Note: TAB to transients is selection-based, which means tabbing will go to the next/previous transient amongst all selected clips. If there is no selection, tabbing operates on the current track.Each transient marker changes its appearance when it is selected, moved, new, disabled, or has certain other characteristics.
Table 116. Transient marker shapes and colors The transient marker context menu appears when you right-click a transient marker. The command you choose from this menu acts on the marker that you right-click, and most commands also act on any markers that are selected. The following table describes each command.
Table 117. Transient marker context menu commands
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